Jung was a psychiatrist. He was a contemporary of Freud. However while he built on the theories of Freud a lot of his conclusions were a very different. One concept he was particularly interested in was what is known as the collective unconscious and what we now know as Jungian or Jung symbols.
A good example is mythology. In a lot of major mythologies and religions there are certain stories that recur. A lot of them will look at how the world was first created or they foretell the end of the world. In these stories recurring images such as floods or fire will appear in order to symbolise the end of one order and the beginning of another.
Jung was a psychiatrist working around the same time as Freud. In both cases they looked at the idea of the subconscious as well as how and why people repress memories. Where they differed was the how and why regarding this repression. While Freud mainly focused on deviant behaviour and sexuality the Jungian approach is arguably more complex. His theory was that the shadow side of a personality was not necessarily evil and rather was more another aspect of the psyche as opposed to something that needed to be dealt with or exposed.
A classic example is the trickster. In fairy tales, folk legends and modern movies we see numerous variations on this archetypal character. In some cases the trickster might be a good character such as Brer Rabbit. In other cases this character is evil such as the fox that corrupts Pinnochio. However such is the nature of the trickster that in the story the character may be more ambiguous such as Willy Wonka. While he may turn out to be good in the end there is a certain mischief and malevolence that he seems to revel in.
This philosophy has been especially influential when it comes to story telling. The story analyst Joseph Campbell built on the philosophy of Jung in his work The Hero of A Thousand Faces and this in turn would go on to influence storywriters in literature, stage and screen.
While Jung did acknowledge that these symbols often represented repressed desires he felt they may not necessarily be bad things. He felt that this was more to do with having a psyche balanced by both male and female aspects and that this interpretation was not necessarily purely about sex or indulgence.
Another aspect of this is the anima or animus. The anima represents the male perspective on women as well as any female tendencies in a man. With the animus this is reversed and is about what a woman expects from a man as well as any male characteristics that they may have. Often these expectations are what shape how we interpret the characters in stories or the images in our dreams and this will affect how we gain meaning from the world around us, whether we are aware of it or not.
In short the archetypes and symbols that Jung describe are an effective way to help people interpret themselves and the world around them. Our mentors help guide us, we learn to avoid tricksters and we come to accept both the light and dark in our personalities. Look online for more information of Jung and Jungian symbol interpretation.
A good example is mythology. In a lot of major mythologies and religions there are certain stories that recur. A lot of them will look at how the world was first created or they foretell the end of the world. In these stories recurring images such as floods or fire will appear in order to symbolise the end of one order and the beginning of another.
Jung was a psychiatrist working around the same time as Freud. In both cases they looked at the idea of the subconscious as well as how and why people repress memories. Where they differed was the how and why regarding this repression. While Freud mainly focused on deviant behaviour and sexuality the Jungian approach is arguably more complex. His theory was that the shadow side of a personality was not necessarily evil and rather was more another aspect of the psyche as opposed to something that needed to be dealt with or exposed.
A classic example is the trickster. In fairy tales, folk legends and modern movies we see numerous variations on this archetypal character. In some cases the trickster might be a good character such as Brer Rabbit. In other cases this character is evil such as the fox that corrupts Pinnochio. However such is the nature of the trickster that in the story the character may be more ambiguous such as Willy Wonka. While he may turn out to be good in the end there is a certain mischief and malevolence that he seems to revel in.
This philosophy has been especially influential when it comes to story telling. The story analyst Joseph Campbell built on the philosophy of Jung in his work The Hero of A Thousand Faces and this in turn would go on to influence storywriters in literature, stage and screen.
While Jung did acknowledge that these symbols often represented repressed desires he felt they may not necessarily be bad things. He felt that this was more to do with having a psyche balanced by both male and female aspects and that this interpretation was not necessarily purely about sex or indulgence.
Another aspect of this is the anima or animus. The anima represents the male perspective on women as well as any female tendencies in a man. With the animus this is reversed and is about what a woman expects from a man as well as any male characteristics that they may have. Often these expectations are what shape how we interpret the characters in stories or the images in our dreams and this will affect how we gain meaning from the world around us, whether we are aware of it or not.
In short the archetypes and symbols that Jung describe are an effective way to help people interpret themselves and the world around them. Our mentors help guide us, we learn to avoid tricksters and we come to accept both the light and dark in our personalities. Look online for more information of Jung and Jungian symbol interpretation.
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